All from Nawlins
(except one... guess who)
► Snooks Eaglin - New Orleans Street Singer (1959/2005) : https://onurblues.blogspot.com/2022/02/snooks-eaglin-new-orleans-street-singer.html
→ Thanks also to the late Blue DeVille
→ Thanks also to the late Blue DeVille
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| The Big Easy... |
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| Art, Charles, Aaron & Cyril Neville |
The origins of the Neville Brothers as a band are intricately entangled with the history of several previous New Orleans groups where the brothers honed their trade : eldest brother Art's band The Hawketts in the 1950s; The Sounds, that became the house band for Allen Toussaint's Sansu label in the late 1960s, and later took the name The Meters; The Wild Tchoupitoulas, a Mardi-Gras Indian group led by their uncle George Landry aka Big Chief Jolly, whose backing band were the Meters until 1976 when they disbanded.
The Dirty Dozen Brass Band (DDBB) couldn't be from anywhere else but New Orleans (please pronounce “noo orlayhan” like Gregory Davis shouts at the beginning of "We Got Robbed!". Founded in 1977, the DDBB is a modern re-incarnation of the traditional brass bands that animated the streets, especially for “jazz” funerals and “second line” parades organized by “Social Aid and Pleasure Clubs” (SAPCs). Redad more detailed info below.In the 1970s and early 1980s, the New Orleans brass band tradition experienced a renaissance, with bands breaking away from traditional styles and adding elements of funk, be-bop jazz, and later even hip hop, to their repertoires, applying one of the primary law of life on earth : who can't evolve disappears. This is exactly what the DDBB did : they added “modern” instruments, mainly electric guitar and keyboards, to the traditional brass structure, and modernized the drumming style. While old brass bands gave birth to traditional New Orleans jazz, contemporary brass bands incorporated in turn some modern jazz patterns, especially improvisation spaces.
→ Thanks also to the late Blue DeVille
→ The pics on this page concern only the artists featured in the 5-CD box Set
This fascinating 4-CD box embarks us on a 5-hour cruise into the extreme richness of the unique musical melting-pot of New Orleans. A Wikipedia article describes it better than I would : “New Orleans has long been a significant center for music, showcasing its intertwined European, African and Latino American cultures. The city's unique musical heritage was born in its colonial and early American days from a unique blending of European musical instruments with African rhythms. As the only North American city to have allowed slaves to gather in public and play their native music (largely in Congo Square, now located within Louis Armstrong Park), New Orleans gave birth in the early 20th century to an epochal indigenous music : jazz. Soon, African American brass bands formed, beginning a century-long tradition. […] The city's music was later also significantly influenced by Acadiana, home of Cajun and Zydeco music, and by Delta blues.”
→ Thanks to my friend L.C.
Warning ! Before
all, to prevent any disappointment from Clapton's fans (and other blues
aficionados), I'll quote my friend L.C. who shared this bootleg with
me : “While far from being perfect, the general sound is good enough to
enjoy the music, provided the listener has the proper audio system.” The
proper audio system… You've been warned.
Slowhand in Viking land
This two-CD bootleg was taped at the Spektrum in Oslo, Norway, on April 5, 1995, one of the over 120 concert halls visited by Clapton during his 1994-95 “Nothing But the Blues” world tour which followed the release of his studio album “From The Cradle”. The same tour during which the official 2022 release “Nothing But the Blues” was recorded on November 7, 8 & 9, 1994 at the San Francisco Fillmore.