Vanessa Collier - Meeting My Shadow (2017)

→ Thanks to L.C.

The lady with the saxophone

A few years ago, recalling one of his past performances, a blues giant told : “There’s a young lady came onstage with me, I forget where it was, but she’s playing an alto saxophone, and man, she was amazing !” The bluesman is Buddy Guy, the young lady is Philadelphia-based vocalist, saxophonist and songwriter Vanessa Collier, and the performance was on the Legendary Rhythm & Blues Cruise (LRBC) #29 in 2017.

Lonesome Sundown – Been Gone Too Long (1977)

→ Thanks to L. C.

The last swamp boogie

John Lee Hooker's "Boogie Chillun" was the first song that he learned to play on guitar. He was about 20, his name was Cornelius Green III and he was living in his native town of Donaldsonville (Louisiana), some 40 kms south of Baton Rouge, on the West bank of the Mississippi river, a town famous for being the first in the US to elect an African-American mayor following the Civil War, in 1868.

Very young he was working with his family in the cane fields. At the age of 18, he moved to New Orleans where he worked in various jobs for a couple of years before returning home in 1948 when, inspired by Muddy Waters and John Lee Hooker, he began taking guitar lessons from a cousin.

Tomcat Courtney - Downsville Blues (2008)

→ Thanks to L. C.

The nine lives of the Tomcat

Another vintage low-down bluesman who didn't record a first album before old age. Tomcat Courtney's debut studio work and only nationally released opus, came out when he was… 79 ! Earlier, he had only self-released live recordings on cassette or CD for sell after his gigs.

“The kind of blues I’m playin’, now they call it Texas style”, he explained. “But we called it the country blues, you know… It’s the style of picking, with your fingers and all that. It wasn’t any bottle-necking, like Mississippi blues.”

Harry "Big Daddy" Hypolite - Louisiana Country Boy (2001)

→ Thanks to L. C.

The miraculous album

A really magnificent haunting blues voice for a beautiful album coming from ― and catching you by ― the guts. Despite the obvious talent of Harry Hypolite, it's totally unbelievable that this superb recording which exhales the favor of the muddy waters of the bayous is his first and only solo opus, recorded while he was 63 !

Born in April 1937 in St. Martinville, Louisiana, in a Creole French speaking family, Hypolite did not learn English until going to school at the age of 6. He had a rough youth, obliged to drop out after the fourth grade to go out and work : from about 12 years old he cut sugar cane, dug sweet potatoes or picked okra and cotton.

"Turn, turn, turn (To Everything There Is A Season)"...

Dedicated to Marcus aka Blue deVille

Chorus : 

To Everything (Turn, Turn, Turn)

There is a season (Turn, Turn, Turn)

And a time for every purpose, under Heaven

Pete Seeger

A time to be born, a time to die

A time to plant, a time to reap

A time to kill, a time to heal

A time to laugh, a time to weep

[Chorus]

Requiem for a friend

Marcus famous avatar

R.I.P. Marcus...
His real name was Marcus. He was from Belgium. In 2015, he created a rich music blog where he always posted excellent albums, often impossible to find elsewhere.
“Blues, Rock, Country & Bluegrass, Cajun & Zydeco, Soul…”, announced the header.
A real Ali BaBa's cave !

Mitch Woods - A Tip Of The Hat To Fats, Live From The New Orleans Jazz & Heritage Festival 2018 (2019)

→ Thanks to my unique partners...

Jumpin' the boogie !

Things are not always what they seem to be : on the seventeen tracks of this live homage to Fats Domino, only nine are music, the other eight are usual live patter and banter. But the real surprise is elsewhere : this tribute doesn't feature any song written by Domino ! Not a single one !

The album includes only titles “covered” by Domino, some previously sung by Wynonie Harris or Jackie Brenston, as well as two Woods originals with a Domino mood (though one is rather an adaptation). In fact more than a tribute to Fats, it's a tribute to Nawlins piano and pianists by a pianist who's not from the Crescent City. But of course this tribute couldn't take place anywhere else but in New Orleans, Domino's home town, at the prestigious Jazz & Heritage Festival 2018 which took place only five months after Domino's passing.

Chris “BadNews” Barnes (with Steve Guyger & Gary Hoey) – Live on the Legendary Rhythm & Blues Cruise #32 (2019)

→ Thanks to my unique partners...

Soft hokum but great showmanship

Comic actor, stand-up comedian and TV comedy sketches writer, Chris “BadNews” Barnes is also a blues singer and harmonica player, renowned for being one of the few contemporary devotee to hokum blues (read below). Here, live on the Legendary Rhythm & Blues Cruise, in February 2019 in the Eastern Caribbean, he works in a softer mode, though. A restraint imposed by the LRBC artistic management ?

Except his original “Hungry & Horny”, with a really funny introduction, most of his repertoire on this Live is made of efficient less explicit covers specially designed to make the cruisers dance.

Albert Cummings - Blues Make Me Feel So Good : The Blind Pig Years (3-CD Box) (2015)

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Big boss man

A scorching guitar in the hands of a clean cut building contractor ! That could be a hasty portrait of Albert Cummings illustrating the saying : don't judge a book by its cover. Or an album as it happens. The fact is that he was not really destined to become a guitar hero, but a businessman in the construction industry.

Born in 1967, in Williamstown (Massachusetts), 56 today, Albert Cummings was raised in a musical family (his dad played guitar and fiddle in local bands). At 12, unable to wrap his hand around a guitar's neck, he took up the banjo and would have become at best a talented bluegrass player, but life has some funny tricks in stock.

Monster Mike Welch - These Blues Are Mine (1996), MMW & Mike Ledbetter - Right Place, Right Time (feat. Laura Chavez) (2017), MMW - Nothing But Time (2023)

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Six-string wizard teenager

On his debut album “These Blues Are Mine” (1996), Welch had just turned… 16 ! Already the chops of a veteran guitar-slinger and the voice of an adult. Hardly believable !

When SRV died in the crash of his helicopter in August 1990, the boy, born in 1979, had celebrated his 11th birthday two months earlier and was already honing his skills at local blues jams in his native Boston. Yes, Boston… though when you hear his guitar you'd rather think of Dallas or Austin ! At these blues jams he had the lucky opportunity to play and learn from such experienced elders as Ronnie Earl, Luther "Guitar Junior" Johnson, Matt Murphy or Paul Rishell.