Dwayne Dopsie & The Zydeco Hellraisers - Now It Begins (2001), Jazzfest 2001, Traveling Man (2006), Up In Flames (2009), Set Me Free (2021)

→ Thanks to the late missed Blue DeVille and L.C.

High voltage Dopsie fever

I don't know what kind of voodoo medicine Alton Rubin aka Rockin' Dopsie or his wife were ingesting before making children, but there's no doubt it was strong stuff. A glimpse at the incredible energy of two of their sons, Rockin' Dopsie Jr and his younger brother Dwayne Dopsie, and you're convinced !

With his bodybuilder look, Dwayne Rubin aka Dwayne Dopsie, born in 1979 in Lafayette, he was 19 when he founded his own band, the Zydeco Hellraisers, in 1999. That same year he won a competition run by the American Accordion Association and was declared “America’s Hottest Accordionist”.

His band fully deserves its name of Hellraisers as, under Dwayne's leadership they deliver a high-voltage Zydeco built from a mix of rock'n'roll, rhythm'n'blues and red-hot two-steps, peppered with occasional reggae rhythms.

Roscoe Chenier - Doing Alright Again (1996)

→ Thanks to L.C.

The best kept secret of the Cheniers

How can a small region like South Louisiana produce so many renowned musicians is a mystery. This puzzling phenomenon also concerns other regions like the Mississippi Delta or, farther, a little island named Jamaica (let's not even talk about their athletes).

Many Louisiana family clans take pride in several generations of famous artists. Most of those families (Creole or Cajun) can trace their ancestry way back in the 17th or 18th century, before the “Louisiana purchase” (1803) and bear French names : Arceneaux, Ardoin, Balfa, Fontenot, Broussard, Chavis, Frank, Carrier, Delafosse, Lejeune, Cormier, Ledet, Savoy, Williams, Rubin (aka Dopsie), Neville or… Chenier.

Andy J. Forest : GrooveRockBluesFunk'n'Roll Live (1989) / Live! (2004) / NOtown Story-The Triumph Of Turmoil (2010)

→ Thanks to L.C.

Let the good groove roll

Andy J. Forest knows how to set you in a joyful mood for the day with his albums full of humorous energy and recorded live for many of them. Real live albums with no later studio overdubs or edits ! The music slaps you in the face with solid slamming beat and flapping groove. The blues jumps hard and nice, sometimes taking a slower but equally jazzy swinging pace.

Forest's hot harmonica and powerful imaginary vocals are running energetically over excellent guitar and keyboard work, and tight job of always perfectly chosen bass-drums sections.

The songs cover a large range of styles ― rock'n'roll, blues and R'n'B, Zydeco and even a few jazz-rock infused numbers ―, and it's not surprising that for over 40 years Forest has been a New Orleans resident, a city where one doesn't joke with groove and letting the good times roll.

The Catch-Back, vol. 8 : Memphis Gold, Kenny Neal, Little Joe McLerran, Percy Strother, Selwyn Cooper

...they deserved to be featured here…

Memphis Gold - Pickin' In High Cotton (2011)

Memphis Gold, born Chester Chandler in 1955 in Memphis, has been an active "bluesician" for some 60 years but, oddly enough, he has only 4 albums out so far, this being the last one to date. A Vietnam veteran himself, he is also active in veterans and fellow blues musicians health help fund raising events.

His career could have stopped abruptly in 2008 though. He fell some 35 feet down from a tree and suffered a triple fracture of the back that could have left him in a wheelchair for the rest of his life. Fortunately his strong will plus good medical care helped him to avoid such an unfortunate fate. As a consequence, he now walks with a cane and sits most of the time during his shows, as it appears in most of the videos proposed below.

Heard lately #1 - Bobby Rush, Eddie Ray, Little Smokey Smothers, Ali Farka Touré with Ry Cooder, The Neville Brothers Live, Zac Harmon

→ Express reviews of some albums I listened recently

Bobby Rush - All My Love For You (2023)

All I knew was his name seen here and there in articles and reviews, and this album is a very, very good surprise. Horn fueled soul blues from top to bottom, with some R'n'B numbers like “One Monkey Can Stop a Show”, as Louisiana (where Rush was born in 1933 as Emmett Ellis Jr.) can produce.

A prolific songwriter, Rush signs all the tracks (including “TV Mama”, not to be mistaken with the same and often covered title from Lou Willie Turner aka Luella Brown, Big Joe Turner's wife). Two lively titles stand out , “I'm Free” and “I'm The One”, about blues music, which sound largely autobiographical.

Vanessa Collier - Meeting My Shadow (2017)

→ Thanks to L.C.

The lady with the saxophone

A few years ago, recalling one of his past performances, a blues giant told : “There’s a young lady came onstage with me, I forget where it was, but she’s playing an alto saxophone, and man, she was amazing !” The bluesman is Buddy Guy, the young lady is Philadelphia-based vocalist, saxophonist and songwriter Vanessa Collier, and the performance was on the Legendary Rhythm & Blues Cruise (LRBC) #29 in 2017.

Lonesome Sundown – Been Gone Too Long (1977)

→ Thanks to L. C.

The last swamp boogie

John Lee Hooker's "Boogie Chillun" was the first song that he learned to play on guitar. He was about 20, his name was Cornelius Green III and he was living in his native town of Donaldsonville (Louisiana), some 40 kms south of Baton Rouge, on the West bank of the Mississippi river, a town famous for being the first in the US to elect an African-American mayor following the Civil War, in 1868.

Very young he was working with his family in the cane fields. At the age of 18, he moved to New Orleans where he worked in various jobs for a couple of years before returning home in 1948 when, inspired by Muddy Waters and John Lee Hooker, he began taking guitar lessons from a cousin.

Tomcat Courtney - Downsville Blues (2008)

→ Thanks to L. C.

The nine lives of the Tomcat

Another vintage low-down bluesman who didn't record a first album before old age. Tomcat Courtney's debut studio work and only nationally released opus, came out when he was… 79 ! Earlier, he had only self-released live recordings on cassette or CD for sell after his gigs.

“The kind of blues I’m playin’, now they call it Texas style”, he explained. “But we called it the country blues, you know… It’s the style of picking, with your fingers and all that. It wasn’t any bottle-necking, like Mississippi blues.”

Harry "Big Daddy" Hypolite - Louisiana Country Boy (2001)

→ Thanks to L. C.

The miraculous album

A really magnificent haunting blues voice for a beautiful album coming from ― and catching you by ― the guts. Despite the obvious talent of Harry Hypolite, it's totally unbelievable that this superb recording which exhales the favor of the muddy waters of the bayous is his first and only solo opus, recorded while he was 63 !

Born in April 1937 in St. Martinville, Louisiana, in a Creole French speaking family, Hypolite did not learn English until going to school at the age of 6. He had a rough youth, obliged to drop out after the fourth grade to go out and work : from about 12 years old he cut sugar cane, dug sweet potatoes or picked okra and cotton.

"Turn, turn, turn (To Everything There Is A Season)"...

Dedicated to Marcus aka Blue deVille

Chorus : 

To Everything (Turn, Turn, Turn)

There is a season (Turn, Turn, Turn)

And a time for every purpose, under Heaven

Pete Seeger

A time to be born, a time to die

A time to plant, a time to reap

A time to kill, a time to heal

A time to laugh, a time to weep

[Chorus]

Requiem for a friend

Marcus famous avatar

R.I.P. Marcus...
His real name was Marcus. He was from Belgium. In 2015, he created a rich music blog where he always posted excellent albums, often impossible to find elsewhere.
“Blues, Rock, Country & Bluegrass, Cajun & Zydeco, Soul…”, announced the header.
A real Ali BaBa's cave !

Mitch Woods - A Tip Of The Hat To Fats, Live From The New Orleans Jazz & Heritage Festival 2018 (2019)

→ Thanks to my unique partners...

Jumpin' the boogie !

Things are not always what they seem to be : on the seventeen tracks of this live homage to Fats Domino, only nine are music, the other eight are usual live patter and banter. But the real surprise is elsewhere : this tribute doesn't feature any song written by Domino ! Not a single one !

The album includes only titles “covered” by Domino, some previously sung by Wynonie Harris or Jackie Brenston, as well as two Woods originals with a Domino mood (though one is rather an adaptation). In fact more than a tribute to Fats, it's a tribute to Nawlins piano and pianists by a pianist who's not from the Crescent City. But of course this tribute couldn't take place anywhere else but in New Orleans, Domino's home town, at the prestigious Jazz & Heritage Festival 2018 which took place only five months after Domino's passing.