The volcanic Beau Jocque burst on the Zydeco circuit with his Hi-Rollers in 1991 and instantly became the public's favorite along with Boozoo Chavis, B.J.'s main influence and future rival. Andrus Espré aka Beau Jocque ("Big Guy” in Louisiana Creole) had listen to many successful Zydeco artists, studied every detail of their style and every reaction of the audience, and came up with a synthesis of the most efficient points he had identified, mixing varied genres, rock, blues, r&b, funk, reggae, with his strong crush for boogie. Himself not an very outstanding accordionist, he compensated with his unique energy, his gruff voice and his impressive physical stature (1,98 m, 120 kg), and with his gift as a band leader.
This first official Beau Jocque & The Zydeco Hi-Rollers live album, recorded in Louisiana at Harry's Lounge in Breaux Bridge & at Slim's Y-Ki-Ki Lounge in Opelousas in September 1994, delivers so much energy that it's exhausting. Lyrics as such are almost nonexistent, replaced by screams and shouts, making it a kind of instrumental album. Pure dancing music for week-end nights in the clubs and outdoors concerts, originally throughout Louisiana.
“Motor Dude Special” opens in the joyful mess of a false start before running in the hard way, followed by the nasty “Git It, Beau Jocque!” The incredible “Beau Jocque Boogie” delivers 11 minutes of jubilating dancing groove featuring killing solos successively by bassist Chuck Bush and guitarists Ray Johnson & Joseph 'Cookie' Chavis. Both of them reiterate on the following “Sack O' Woe”. On “Beau Jocque Run”, BJ's hoarse lumberjack voice screams more that sings repetitive phrases.
After “This Night Is For You”, a happy birthday song for somebody in the audience, and another musical announcement, “Move Your Car!”, destined to a driver whose vehicle is blocking the car park, Jocque seems decided to play accordion more seriously on the band's muscular over 8-minute version of the Neville Brothers' “Yellow Moon”, the third long track of the album, The breathless show closes on another iconic BJ's number, “Give Him Cornbread”.
This second live album is in fact the first one : it was recorded in 1993 at the renowned Habibi Temple in Lake Charles, LA, but never released until 2000, 11 months after BJ's death in 1999. Coincidentally it starts exactly where the preceding album finished : with “Give Him Cornbread” in a longer version reminding the 1995 “Beau Jocque Boogie” with bass and guitar solos.
Altogether, the two albums are in the same vein, even if this one is maybe a bit less wild than the 1995 one but with BJ's singing and accordion more clearly present. Guitarist Joseph 'Cookie' Chavis hadn't joined the Zydeco Hi-Rollers yet but 6-string master Ray Johnson is managing greatly by himself.
One finds a shorter version of the iconic “Beau Jocque Boogie” again, but the other tracks are different though as rhythmically devastating, featuring hot dancing titles, quite a few from the first 1993 album “Beau Jocque Boogie”, like “Bad Bad Woman”, “Grand Marais”, “Damballah”, the superb “Brownskin Woman” mid-tempo blues with a great Ray Johnson on guitar, “Do It All Night”, and Zydeco versions of “Baby Please Don't Go” and “Boogie Chillen”. The shorter tracks (“'Gardez Donc!”, “Nonc Adam”, “I Went To The Dance Last Night”) are equally filled with groovy rhythm.
Breathless dance music taking you in the dance-halls of Louisiana with amazing energy. Really something to hear ! ☻
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