Lil' Buck Sinegal - Bad Situation (2002)

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Great little Buck

Lafayette native "Lil' Buck" Sinegal's real name was Paul Alton Senegal. “Sinegal” was a spelling error on his first passport delivered just before he embarked on a European tour with Clifton Chenier. He kept the name. His nickname "Lil' Buck" (for little buckwheat) was due to his short stature. Born in 1944 and raised in a French creole-speaking family, he got his first guitar as a reward from a blind uncle he used to help picking cotton during school holidays. Since then his never left it until he finally quit the blues land in 2019 at age 75.

Early he started playing for musicians like Katie Webster (his first time in a recording studio), Barbara Lynn, Carol Fran, Percy Sledge, Millie Jackson, James "Thunderbird" Davis, Lee Dorsey or Joe Tex. As a session guitarist for the Excello Records label, he worked with Slim Harpo, Lazy Lester, Rockin' Dopsie Sr. Altogether, Sinegal would have recorded on some 300 sessions since the late 1950s !

Eric Clapton - 1992 Unplugged (Deluxe Edition Remastered, 2013)

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Clapton's block-buster

Since he started in the mid-1960s with the Yardbirds, then with John Mayall's Bluesbreakers, Eric Clapton had never released a full acoustic album before “Unplugged”. He had of course inserted acoustic moments of his concerts on his previous live albums (Rainbow Concert in 1973, E.C. Was Here in 1975, Just One Night in 1979 and 24 Nights in 1991), but never an entire record.

In 1992, for MTV's Unplugged Series, Slow Hand left his Stratocaster at home and brought his acoustic guitars and his musicians for this unusual experience for him. So unusual that he confessed later in a radio interview that he thought an album of it wouldn't have a chance to sell. Actually “Unplugged” was rewarded by an impressive number of Grammies and became the best-selling live album of all time, a real block-buster !

Special Billy C. Farlow : I Ain't Never Had Too Much Fun (1991) / Billy C. Farlow & Bleu Jackson - Blue Highway (1995) / Billy C. Farlow featuring Mercy - Alabama Swamp Stomp (2011)

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From the Ozone to Alabama

Billy C. Farlow - I Ain't Never Had Too Much Fun (1991)

Billy C. Farlow left the original Commander Cody and His Lost Planet Airmen when they disbanded in 1976 (and immediately re-appeared the following year as the Commander Cody band, in fact the new name used by Cody for his post-Airmen solo career). In 1991 it sounds that Farlow who had penned some of CC&HLPA best known songs ("Too Much Fun", "Seeds and Stems " and the band's theme song, "Lost in the Ozone"), was apparently still under influence. Apparently only.

The first half of the album features some solid Texas and Nashville style rock'n'roll songs that would have fitted well the CC&HLPA repertoire : a Texas swing revisit of “Too Much Fun”, “Love Bandit” (which strongly reminds Dylan's famous “Isis” on his 1976 album “Desire”), “Sit On Daddy's Knee”, “Demon Lover” (starting with a very Rolling Stonian riff close to the intro of 1971 “Can't You Hear Me Knocking”).

Commander Cody & His Lost Planet Airmen - Lost In The Ozone (1971)

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”Lost In The Ozone” ?  Cult !

I remember very well when I bought this vinyl LP (at the time) in a Paris record shop a few months after it US release. I was barely twenty and had been immediately attracted by the name of the band and the fancy cover à la Freak Brothers (a famous counter-cultural comics). I ran home to play this strange object and was immediately blown up ! I still have this vinyl today, and listening to it again on CD I must say that fifty years after its release, this cult album sounds like it was recorded last week !

Commander Cody & His Lost Planet Airmen was founded in 1967 in Ann Arbor, Michigan, a renowned university town, by pianist George Frayne aka Commander Cody, and moved to Berkeley, California, in 1969. Around Cody were Billy C. Farlow (lead vocals and harmonica), Bill Kirchen (lead guitar and trombone), John Tichy (rhythm guitar), Andy Stein (fiddle and sax), Steve 'West Virginia Creeper' Davis (pedal steel guitar), 'Buffalo' Bruce Barlow (bass) and Lance Dickerson (drums), a joyful bunch of solid instrumentalists.

Doc Watson - Memories (1975/1993)

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The mountain folk master

Imagine clouds of mist hanging around the Blue Ridge Mountains of North Carolina, the autumnal russet color of the trees, and a little town called Deep Gap nested below a mountain pass. There lived a blind mid-19th century looking man whose face evokes Abraham Lincoln. He played guitar and banjo like nobody else, and sung old country-folk and bluegrass songs. The photograph of this man adorns the front cover of the album “Memories”. The man’s name is Doc Watson (1923-2012).

Country, bluegrass, folk, ragtime, blues… why bother to put a name on the kind of songs he plays as long as he plays them because they’re just a pure pleasure for the ears, the mind and the soul. His banjo and guitar picking mastery is amazing, and his voice is warm as a wood fire in an old cabin’s fireplace.

John Lee Hooker -1948-1998 King Of The Boogie (5-CD Box Set, 2017)

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The Boogie Man

Most of beginners learning to play blues guitar have started by trying to play a John Lee Hooker boogie thinking it was easy. I did it myself in my early teens when I got my first cheap guitar. Apparently simple, but easy ? Not really ! This apparent simplicity probably explains why JLH has become a symbol of blues itself. Ask any ordinary person not really into blues to give you the name of one blues musician he or she knows, there's 80% chance he/she will answer : JLH.

For blues fans, the problem is different : JLH discography is such a jungle that, unless you're a specialized musicologist, it's almost impossible to find your way between his numerous original early recordings (many of them recorded under different pseudonyms), his albums and the myriad of compilations of his work ! This is precisely the interest of this 5-CD 100-song box set which covers 50 years of JLH's endless boogie since his recording debuts in Detroit in 1948.

Big Mike Griffin - Sittin' Here With Nothing (1995)

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Big Bike Griffin's big blues

It starts with the gutsy funky "Somebody's Been Talkin'", a Little Milton number revisited with heavy bass & drums, groovy horn riffs, pulsing organ and flashes of burning guitar. It continues in the same vein with "Satisfied", another Little Milton song. The third track, Percy Strother's "Love Is Growing Cold", is a slow blues where Griffin's scorching guitar lightnings are entwined with exciting organ parts by Clayton Ivey. The same blood runs through the entire album : rhythm and blues with as much funky rhythm and soulful blues, and a bit of jazzy groove.

Chris Smither - Live As I'll Ever Be (2000)

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The folk-blues troubadour

Chris Smither is one of the talented spiritual children of the great prewar pioneers of acoustic country blues like Blind Willie McTell, Lightnin' Hopkins, Fred McDowell, Son House or Mississippi John Hurt on one hand, and of their great folk music counterparts like Doc Watson or Woody Guthrie on the other. Smither, who took part in the late period of the folk-blues revival on the New York and New England scene, made the junction between both genres. At 77, he is now one of the veterans of a long line of folk-blues revivalists like John Hammond Jr., Roy Book Binder, Steve James, Doug MacLeod or Jorma Kaukonen, which was later continued by younger artists like Toby Walker, Richard Ray Farrell, the late Kelly Joe Phelps, Fiona Boyes, Nathan James, Tom Feldman, Mike Munson...

Jimmy Johnson - Every Day Of Your Life (2019)

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Preaching the blues

I discovered Jimmy Johnson one day in the mid-1990s in a blues and jazz second-hand CD shop in the Latin Quarter of Paris. My eye got attracted by the cover where Johnson is holding a big axe (I smiled at the symbol : axe is a slang word for guitar) and by the album's title, "Johnson's Whacks", so I bought it, just knowing it was electric blues but ignoring it was one of the best recordings of this Johnson. A perfect introduction. From then on, I always liked him. I later got some of his previous and following albums and was never disappointed even if like many of his fellow bluesmen, he had his downs too. This 2019 album is certainly not gonna make me change my mind.

Kokomo Arnold - The Story Of The Blues, Blues Archives Vol.11 (recorded 1936-38, released 2004)

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The bootlegger's bottleneck

James "Kokomo" Arnold is a relatively overlooked prewar bluesman although he was an outstanding figure of the Chicago blues scene in the 1930s and had a durable influence on some of his more famous contemporary blues musicians, the most emblematic one being Robert Johnson who turned his "Old Original Kokomo Blues" into "Sweet Home Chicago", and "Milk Cow Blues" into "Milkcow's Calf Blues". The phrase "dust my broom", which Johnson used as a song title, was also introduced by Arnold in his song "Sagefield Woman Blues".

Arnold was a very innovative user of the bottleneck, probably the fastest one ever to record, developing some unique rhythmic patterns of his own. His influence was notable on slide guitar players, particularly on Elmore James. The reason why he fell back into a relative anonymity after his brief but successful ten-year career is due to his growing disinterest for music !