Christone 'Kingfish' Ingram - Kingfish (2019)

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Heavy weight talent
This debut work offers a range of styles reflecting Ingram's tastes and guitar skills. From barn-burners songs like “Outside Of This Town”, “It Ain't Right” and “If You Love Me”, that seem coming straight from Texas and immediately remind SRV or ZZ Top, to Delta blues with acoustic ballads like the innovative “Been Here Before” or the more classical “Hard Times”, through soul blues like the sorrowful “Listen” with Keb' Mo enlightened by fine arrangements around organ waves, “Before I'm Old” and “Believe These Blues”, both with a great guitar solos, “Trouble” and its Louisiana/New Orleans touch, or “That's Fine By Me” featuring nice piano by Marty Sammon. Among these are also two outstanding tracks : “Fresh Out” with Buddy Guy, and “Love Ain't My Favorite Word” mixing crossed influences from B.B. King and Hendrix in a memorable guitar hero solo.

Robert Belfour - What's Wrong With You (2000)

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The wolf from the hills

Robert “Wolfman” Belfour was 60 and had on his back 35 years of hard labor as a truck driver in the construction business when this album, his first, came out in 2000. He had learned to play guitar by himself, first observing his father, then when this one died while he was 13 and left him his guitar, by imitating artists he heard on radio  (Howlin' Wolf, Muddy Waters, John Lee Hooker…)

Contrary to what's been often said, he repeated many times that he was never taught by his neighbor Junior Kimbrough. Is it really true ? Or was he tired to be systematically compared to his elder ? What is almost certain though is that he was rhythmically influenced by the fife & drum music of Otha Tuner and Syd Hemphill.

Lil' Buck Sinegal - Bad Situation (2002)

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Great little Buck

Lafayette native "Lil' Buck" Sinegal's real name was Paul Alton Senegal. “Sinegal” was a spelling error on his first passport delivered just before he embarked on a European tour with Clifton Chenier. He kept the name. His nickname "Lil' Buck" (for little buckwheat) was due to his short stature. Born in 1944 and raised in a French creole-speaking family, he got his first guitar as a reward from a blind uncle he used to help picking cotton during school holidays. Since then his never left it until he finally quit the blues land in 2019 at age 75.

Early he started playing for musicians like Katie Webster (his first time in a recording studio), Barbara Lynn, Carol Fran, Percy Sledge, Millie Jackson, James "Thunderbird" Davis, Lee Dorsey or Joe Tex. As a session guitarist for the Excello Records label, he worked with Slim Harpo, Lazy Lester, Rockin' Dopsie Sr. Altogether, Sinegal would have recorded on some 300 sessions since the late 1950s !

Eric Clapton - 1992 Unplugged (Deluxe Edition Remastered, 2013)

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Clapton's block-buster

Since he started in the mid-1960s with the Yardbirds, then with John Mayall's Bluesbreakers, Eric Clapton had never released a full acoustic album before “Unplugged”. He had of course inserted acoustic moments of his concerts on his previous live albums (Rainbow Concert in 1973, E.C. Was Here in 1975, Just One Night in 1979 and 24 Nights in 1991), but never an entire record.

In 1992, for MTV's Unplugged Series, Slow Hand left his Stratocaster at home and brought his acoustic guitars and his musicians for this unusual experience for him. So unusual that he confessed later in a radio interview that he thought an album of it wouldn't have a chance to sell. Actually “Unplugged” was rewarded by an impressive number of Grammies and became the best-selling live album of all time, a real block-buster !

Special Billy C. Farlow : I Ain't Never Had Too Much Fun (1991) / Billy C. Farlow & Bleu Jackson - Blue Highway (1995) / Billy C. Farlow featuring Mercy - Alabama Swamp Stomp (2011)

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From the Ozone to Alabama

Billy C. Farlow - I Ain't Never Had Too Much Fun (1991)

Billy C. Farlow left the original Commander Cody and His Lost Planet Airmen when they disbanded in 1976 (and immediately re-appeared the following year as the Commander Cody band, in fact the new name used by Cody for his post-Airmen solo career). In 1991 it sounds that Farlow who had penned some of CC&HLPA best known songs ("Too Much Fun", "Seeds and Stems " and the band's theme song, "Lost in the Ozone"), was apparently still under influence. Apparently only.

The first half of the album features some solid Texas and Nashville style rock'n'roll songs that would have fitted well the CC&HLPA repertoire : a Texas swing revisit of “Too Much Fun”, “Love Bandit” (which strongly reminds Dylan's famous “Isis” on his 1976 album “Desire”), “Sit On Daddy's Knee”, “Demon Lover” (starting with a very Rolling Stonian riff close to the intro of 1971 “Can't You Hear Me Knocking”).

Commander Cody & His Lost Planet Airmen - Lost In The Ozone (1971)

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”Lost In The Ozone” ?  Cult !

I remember very well when I bought this vinyl LP (at the time) in a Paris record shop a few months after it US release. I was barely twenty and had been immediately attracted by the name of the band and the fancy cover à la Freak Brothers (a famous counter-cultural comics). I ran home to play this strange object and was immediately blown up ! I still have this vinyl today, and listening to it again on CD I must say that fifty years after its release, this cult album sounds like it was recorded last week !

Commander Cody & His Lost Planet Airmen was founded in 1967 in Ann Arbor, Michigan, a renowned university town, by pianist George Frayne aka Commander Cody, and moved to Berkeley, California, in 1969. Around Cody were Billy C. Farlow (lead vocals and harmonica), Bill Kirchen (lead guitar and trombone), John Tichy (rhythm guitar), Andy Stein (fiddle and sax), Steve 'West Virginia Creeper' Davis (pedal steel guitar), 'Buffalo' Bruce Barlow (bass) and Lance Dickerson (drums), a joyful bunch of solid instrumentalists.

Doc Watson - Memories (1975/1993)

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The mountain folk master

Imagine clouds of mist hanging around the Blue Ridge Mountains of North Carolina, the autumnal russet color of the trees, and a little town called Deep Gap nested below a mountain pass. There lived a blind mid-19th century looking man whose face evokes Abraham Lincoln. He played guitar and banjo like nobody else, and sung old country-folk and bluegrass songs. The photograph of this man adorns the front cover of the album “Memories”. The man’s name is Doc Watson (1923-2012).

Country, bluegrass, folk, ragtime, blues… why bother to put a name on the kind of songs he plays as long as he plays them because they’re just a pure pleasure for the ears, the mind and the soul. His banjo and guitar picking mastery is amazing, and his voice is warm as a wood fire in an old cabin’s fireplace.

John Lee Hooker -1948-1998 King Of The Boogie (5-CD Box Set, 2017)

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The Boogie Man

Most of beginners learning to play blues guitar have started by trying to play a John Lee Hooker boogie thinking it was easy. I did it myself in my early teens when I got my first cheap guitar. Apparently simple, but easy ? Not really ! This apparent simplicity probably explains why JLH has become a symbol of blues itself. Ask any ordinary person not really into blues to give you the name of one blues musician he or she knows, there's 80% chance he/she will answer : JLH.

For blues fans, the problem is different : JLH discography is such a jungle that, unless you're a specialized musicologist, it's almost impossible to find your way between his numerous original early recordings (many of them recorded under different pseudonyms), his albums and the myriad of compilations of his work ! This is precisely the interest of this 5-CD 100-song box set which covers 50 years of JLH's endless boogie since his recording debuts in Detroit in 1948.

Big Mike Griffin - Sittin' Here With Nothing (1995)

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Big Bike Griffin's big blues

It starts with the gutsy funky "Somebody's Been Talkin'", a Little Milton number revisited with heavy bass & drums, groovy horn riffs, pulsing organ and flashes of burning guitar. It continues in the same vein with "Satisfied", another Little Milton song. The third track, Percy Strother's "Love Is Growing Cold", is a slow blues where Griffin's scorching guitar lightnings are entwined with exciting organ parts by Clayton Ivey. The same blood runs through the entire album : rhythm and blues with as much funky rhythm and soulful blues, and a bit of jazzy groove.

Chris Smither - Live As I'll Ever Be (2000)

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The folk-blues troubadour

Chris Smither is one of the talented spiritual children of the great prewar pioneers of acoustic country blues like Blind Willie McTell, Lightnin' Hopkins, Fred McDowell, Son House or Mississippi John Hurt on one hand, and of their great folk music counterparts like Doc Watson or Woody Guthrie on the other. Smither, who took part in the late period of the folk-blues revival on the New York and New England scene, made the junction between both genres. At 77, he is now one of the veterans of a long line of folk-blues revivalists like John Hammond Jr., Roy Book Binder, Steve James, Doug MacLeod or Jorma Kaukonen, which was later continued by younger artists like Toby Walker, Richard Ray Farrell, the late Kelly Joe Phelps, Fiona Boyes, Nathan James, Tom Feldman, Mike Munson...