May 12, 2022

Little Jimmy King - Something Inside Of Me (1994)

The album

Tormented soul

I've had this album for a good while, but I listened back to it for this occasion and I confess I had forgotten that it was so good. King's tortured guitar is a serious delight. King belongs to this post-Hendrix generation of bluesmen who emerged in the footsteps Robert Cray, Joe Louis Walker or the late Lucky Peterson, reviving electric blues in the late 1980s and the 1990s by incorporating some rock elements. People like Bernard Allison (Luther's son), Eddie Vaan Shaw Jr., Guitar Slim Jr., Ike Cosse, James Armstrong, Jimmy D. Lane, Sherman Robertson, Tab Benoit or Troy Turner (whose promising career was brought down by drug addiction, according to my excellent informant Lou Cypher from Blue Dragon)…

Emmanuel Lynn Gales aka LJK was born in 1964 (or 1968 according to some information channels) in Memphis and died of a heart attack in 2002. His twin Danuel Gales and his elder brothers Eric and Eugene are all blues guitarists. He chose his stage name in homage to his two heroes Jimi Hendrix (left-handed as himself) and Albert King, and actually joined Albert King's band as second guitarist in 1988. In 1991, he left his mentor to start a career of his own with his own band, The Memphis Soul Survivors, and recorded a first album. "Something Inside Of Me" is his second one.

T. Shannon (l) & C. Layton
J
udging by his tortured guitar style, the "something inside" is certainly a tortured soul, or at least a tormented broken heart : "There's something inside me that just won't let me be / My baby's gone and left me, and my heart's in misery..." Backed by Stevie Ray Vaughan’s rhythm section, drummer Chris Layton and bassist Tommy Shannon, by veteran Ron Levy on B3 organ (who also produced the album) and the Midtown Horns, King lets his torments pour out of his six-string. The sound of his guitar, totally up-front, is aggressively distorted and often using the wah-wah effect.

This re-appropriation of rock elements, a fair payback as rock did originally borrow a lot from the blues, is particularly evident on this album, and in this sense it's as much a kind of blues-rock album as an urban electric blues one. The influence of Hendrix bursts out from the opening barn-burner track "Under Pressure" throughout the whole record, unto the instrumental apotheosis of "Resolution #1" : though its title seems to be a wink to John Lennon's song "Revolution 1" on the Beatles' White Album, it is in fact much closer to the psychedelic universe of Hendrix.

Albert King
A more classic Chicago style blues like Albert King's "Can't You See What You're Doin' To Me" is given the same kind of rock treatment. The choice to cover Cream's song "Strange Brew" is equallyrevealing of this will to cross styles over. Still, songs like "Something Inside Of Me" and "Blues Been Good To Me" demonstrate that it is a real blues album in spirit. Three successive rhythm'n'blues numbers, "Baby, Baby", "Shouldn't Have Left Me" and "Unlovable", have a definite Memphis sound, due to the front presence of the horns and B3 organ. The final instrumental "Upside Down & Backwards", co-written with his brother Eugene, closes the album with a last demonstration of King's feverish guitar style.

As a matter of fact, by many aspects, in spirit if not in form, this album reminds me of Troy Turner's "Handful Of Aces" released two years earlier, this being obvious on a track like "Win, Lose Or Draw".
Classical orthodox blues aficionados might not like such an album. Too bad… I like it and I'm glad with that. 

Info

L. to r. : Eric, LJK, Eugene
Audio
"Left Hand Brand", The Gales Brothers' 1996 album
featuring Eric Gales, Eugene Gales & Manuel Gales aka LJK
(full credits below the video) :
https://youtu.be/1ZOA9t8HVKo



Videos
In studio at Rounder Records with Ron Levy and the Memphis Horns, session and debrief : https://youtu.be/3UgDcxqiSt0
With Albert King, Seattle, 1990 (amateur video) : https://youtu.be/yr6iMdwzSJM
With Khari Wynn, BB King's Blues Club, Memphis, 2001 : https://youtu.be/iGZFEQ1Cgrg
With the Memphis Soul Survivors (Michael Allen : Hammond B3 organ - Dywane Thomas : bass - Lannie McMillan : sax - Andrea Pizzuti : drums - Luca Marianini : trumpet), Porretta Soul Festival, Italy, 2000 : https://youtu.be/-IUKa23pd_4
Tribute to Albert King, Jimi Hendrix and SRV, BB King's Blues Club, Memphis, 1999 : https://youtu.be/mnnmfsiDHYg or https://youtu.be/gqYSIuG3ANA
At the Jimi Hendrix Guitar Festival, Seattle, 1995 : https://youtu.be/HgdE3CN3TPw & https://youtu.be/zjsI_KmnUGU
"Angel of Mercy", 1993 : https://youtu.be/uxWHqgPf-dc












 


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May 09, 2022

The Nighthawks - American Landscape (2008)

The albuml

Mark Wenner and… the Nighthawks

In 2022 the Nighthawks celebrate half a century of existence ! No need to say the band, or at least its leader, has gone through all kinds of experiences and knows each and every trick of the business. Founded in 1972 by harpist-vocalist Mark Wenner and guitarist Jimmy Thackery, the Nighthawks have known a long series of member changes around Wenner after the departure of Thackery in 1986. The pillar, the heart, the soul and the driving force of the band, Wenner must have in store a huge amount of will, strength and health managing to keep his 30-album band alive for these 50 years !
Wenner, an upper-class kid from Bethesda, near Washington D.C., started to play harmonica in his teens. He got definitely caught by the blues and the instrument when struck by the lightning of a Paul Butterfield Blues Band concert in 1966 at Columbia University in New York which he had just entered. Rather than studying seriously, he spent most of his time haunting the Greenwich Village's blues clubs where he saw great bluesmen like Howlin’ Wolf, Muddy Waters, Junior Wells or Buddy Guy play, practicing his harmonica intensively and jamming with student bands. After managing still to graduate from university, his mind made up to form a blues band, he returned to the D.C. area where he soon met a young impetuous guitar player named Jimmy Thackery. This was the sparkle that lighted the birth of the Nighthawks in 1972.

Thirty-six years later, the tireless, stainless Nighthawks released "American Landscape", their 15th studio album or so. The menu includes mostly covers from the Imperial Crowns (Jimmie Wood & J. J. Holiday), Tom Waits, Bob Dylan (twice) Ike Turner, Motown founder Berry Gordy, Louisiana record producer and songwriter Jerry West aka J.D. Miller, Steve Cropper and soul singer-songwriter-producer Dan Penn, and two original tracks due to bass keeper Johnny Castle.

A rather eclectic American landscape totally designed to put Wenner's harmonica and vocals up front, the rest of the band being almost confined to a backing part, except maybe Paul Bell on guitar.
This makes this album rather disappointing, despite a few outstanding tracks like Tom Wait's "Down In The Hole", Johnny Castle's "Where Do You Go?" and vintage rock'n'roll song "Jana Lea", or the too short acoustic jazzy outro track "The Fishin' Hole", actually the theme song for The Andy Griffith Show TV program.

Inspiration seems to have brought the band in scattered directions and the album lacks unity, from rocking and jumping numbers like "Big Boy" and "Matchbox" to blues-soul numbers like "Made Up My Mind" or "Standing In The Way" through a cool jazzy piece like "Try It Baby". Even Steve Cropper's "Don't Turn Your Heater Down" sounds a bit wheezy. Bob Dylan isn't allowed a better treatment, despite Paul Bell's guitar that reminds the Byrds' folk-rock sound style, not enough to catch the ears of Dylan's fans seriously.

Just like the front cover illustration showing a messy jumble of two or four-wheel vehicles (reflecting heavily tattooed biker Wenner's passion for motorcycles), this album is too dispersed to reveal the band's musical identity and really convince. 


Interviews
Wenner on The Nighthawks, performing, recording and rock'n'roll (audio) : https://youtu.be/-FerO3Bgl0o

Mark Wenner's side-band the "Blues Warriors"
A Blue House Productions Live Stream Concert with Mark Wenner : vocals, harmonica - Mark Stutso : drums, vocals - Clarence “The Bluesman” Turner : guitar, vocals - Zach Sweeney : guitar -, Steve Wolf : upright bass : https://youtu.be/Xina6wqGB4k

Live versions of songs from the album
"Most Likely You Go Your Way And I'll Go Mine" : https://youtu.be/uHLuqNrh2Qw
"Standing In The Way" : https://youtu.be/FW3MyZR7vM0


Nighthawks live shows
At Earl's Hideaway, 2022 : https://youtu.be/h4pvSBX2l3s
On Pearl Street Live, 2021 (go straight to 1:19 :00, the sound is mute prior to that !) : https://youtu.be/6DVjlne8gMI
A Blue House Productions Live Stream Concert, 2021 :
In Gaithersburg (Maryland) on the 4th of July 2020 : https://youtu.be/KcFPqr4vzz8
Thanksgiving benefit concert, Kensington (Maryland) :
At Terra Fermata, Stuart (Florida), 2019 : https://youtu.be/i5g1xrGKI7k
At the Kensington Book Fair (Maryland), 2019 : https://youtu.be/xSTMJ-R5O_I
At the Takoma Park Street Festival (Maryland) :
2018 : https://youtu.be/zPvlmP6XeBk
At Lee District Park, Franconia (Virginia), 2017 : https://youtu.be/EBn5uakdjeo
With Bob Margolin (at right)
With Bob Margolin at the Iridium, 2015 :
At the Herzog Ernst Celle Pub in Germany, 2014 :
At the Dinosaur BBQ, Syracuse (New York) :
At the Reigen Cafe, Vienna (Austria), 2013 : https://youtu.be/2BZjM1fLoEE
At the State Theater, Falls Church (Virginia), 2003 : https://youtu.be/6nj-gnGloE4

The old times (with Jimmy Thackery)
At the Cheers Club, Paonia (Colorado), 1984 (12-part playlist) : click here
TV show, 1982 : https://youtu.be/Vp9Ctq9L94Q



Other famous nighthawks
"Nighthawks", Edward Hopper, 1942
Except the name of the blues-rock band, it's also the name of :
  a famous painting by Edward Hopper from 1942,
a line of Gibson guitars,
American bluesman Robert Lee McCollum (1909-1967), better known as Robert Nighthawk,
a famous Marvel & DC Comics character,
a military aircraft, the Lockheed F-117 Nighthawk,
a motorcycle line from Honda,
an Australian dragonfly (Apocordulia Macrops).



Paul Bell
Johnny Castle
Pete Ragusa
Mark Wenner
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May 07, 2022

Doc & Merle Watson - Remembering Merle (1970-76, released 1992)

  The album

Forever father & son
A real treasure of Appalachian acoustic blend of bluegrass, old country-folk, ragtime and blues delivered by two monsters of the acoustic guitar and banjo, and exhaling the nostalgic perfume of autumnal mist on the Blue Ridge forests around Deep Gap (North Carolina), the Watson family fief.
Compiling live recordings of Merle Watson with his father Doc from the 1970-1976 period, this marvelous album of melancholic or joyful songs, gives a good insight of the musical mix that made Doc and Merle national treasures.

Merle, born in 1949, started to learn how to play guitar in his early teens, then banjo (in 5 months !). At 15, he was playing so well that his father took him to play on his live performances with him and record albums. He was mastering fingerstyle, flat-picking and slide guitar with equal virtuosity. Many music specialists affirm that he was even playing better than his dad. Unfortunately, his brilliant career was cut off suddenly at age 36 when he was crushed to death in a tractor accident.
Since 1988, his memory is kept alive every year during the world famous MerleFest (Merle Watson Memorial Festival) which attracts in Wilkesboro (western North Carolina) the best artists from the traditional American music planet, a genre that both Merle and Doc baptized "traditional plus", meaning "the traditional music of the Appalachian region plus whatever other styles we were in the mood to play", as Doc explained once.

On this tribute album, these "other styles" expand to the 1932 retro song "Miss The Mississippi & You", to jazz with Gershwin's "Summertime" transformed here into a more folkie version, to rock'n'roll with the incredible acoustic guitars-bass-piano swinging version of "Blue Suede Shoes/Tutti Frutti" worth all the rockers versions, and even to a Spanish mood on the final Merle-written song "Thoughts Of Never". But the core of Doc & Merle repertoire is traditional folk ballads, blues and bluegrass, all delivered in the inimitable Watson style.

The folk side features sorrowful ballads like "Omie Wise" and "Frankie & Johnny", the moving hobo's complaint "Wayfaring Stranger" or the mellow "Southern Lady" with first notes seemingly borrowed from George Harrison.
The blues side include "Honey Babe Blues" with Merle on banjo, their beautiful version of "St. James Infirmary", "Honey Please Don't Go" with Merle giving a demonstration of his talent on slide guitar, and the excellent fingerstyle "Nine Pound Hammer".
But it's probably in the country & bluegrass genres that the father & son pair is the most amazing. The outstanding "Nancy Rowland/Salt Creek" necessarily brings memories of the "Dueling Banjos" scene at the beginning of John Boorman 1972 film "Deliverance", even though the soundtrack song, written by Arthur "Guitar Boogie" Smith, was not played by Doc and/or Merle Watson. But it could easily have been… "New River Train" features additional piano by Bob Hill, and the magnificent "Black Mountain Rag" is played with no less than four guitars ! The jubilant "Mama Don't Allow", a brilliant demonstration of instrumental dexterity including a jazzy guitar solo in the second part, the amazing washboard rubbing of Joe Smothers, and T. Michael Coleman's ability on upright bass, is undoubtedly one of the highlights of the album.

A wonderful way to pay tribute to the late Merle at the time, and now also to Doc who put his guitar down definitely in 2012. 

Readings & Documentaries
Doc talks about Merle in an interesting portait-interview on : https://acousticguitar.com/the-rich-musical-legacy-of-doc-and-merle-watson-a-rare-interview/
An old article about Merle to download in PDF on : https://merlefest.org/wp-content/uploads/2019/08/Remembering_Merle_Watson.pdf
About the seven-disc box set "Doc & Merle Watson: Never the Same Way Once" : https://thebluegrasssituation.com/read/doc-merle-watson-play-never-the-same-way-once-on-new-box-set/
"3 days with Doc Watson", a 1976 documentary film by folk researcher A.L. Lloyd : https://youtu.be/i5mZlriOogU
"Deciphering Doc Watson: A look at his life and influences", another documentary film by Willard Watson III : https://youtu.be/P1LRSrihy00
The MerleFest
The History of MerleFest : https://youtu.be/emSi1SiQ58k

Documentary film on MerleFest 1988 : https://youtu.be/vwjzSoWFL0o
The site (with a page listing all the artists who have participated from the beginning) : https://merlefest.org




Videos
Doc Watson discusses Merle's musical influences, and then both play "Make Me A Pallet" and "Streamline Cannonball" : https://youtu.be/Z7iMBBmFlrs

Doc & Merle Watson live

In 1983 : https://youtu.be/5xaHl5ryeJ0
Merle, T. Michael Coleman & Doc
In Oberlin (Ohio), 1979 : https://youtu.be/spx2xvBDYvI
Unknown show details : https://youtu.be/srze24sBxkw
With T. Michael Coleman : https://youtu.be/kgoZjinEZ5A
"Summertime" : https://youtu.be/CPpf3FLjuMs
With T. Michael Coleman, Nitty Gritty Dirt Band, David Bromberg and Mark O'Connor, at the Soundstage Bluegrass Festival, 1983 : https://youtu.be/FZHSNpE_0D8
Rockabilly Medley with David Bromberg, Mark O'Connor, Pete Rowan, John McEuen, Jimmy Ibbotson and T Michael Coleman (on bass), Chicago, 1984 : https://youtu.be/rBt6kJm_nKw
"Rangement blues" : https://youtu.be/xFLwpaSF2p4

Full detailed album credits

01. Frosty Morn (arranged by Arthel Lane Watson aka Doc Watson). Banjo : Merle Watson - Guitar : Doc Watson.
02. Omie Wise (arranged by Doc Watson). Banjo : Merle Watson – Guitar, Vocals : Doc Watson.
03. Frankie & Johnny (arranged by Doc Watson). Guitar [Fingerstyle] : Merle Watson – Guitar, Vocals : Doc Watson.
04. Honey Babe Blues (arranged by Doc Watson). Banjo : Merle Watson – Guitar, Vocals : Doc Watson.
05. St. James Infirmary (written by J. Primrose aka Irving Mills).  Guitar, Vocals : Doc Watson - Lead Guitar : Merle Watson.
06. Honey Please Don't Go (written by J. Hodges). Guitar, Vocals : Doc Watson - Slide Guitar : Merle Watson.
07. Nancy Rowland/Salt Creek (arranged by Doc Watson). Bass : T. Michael Coleman - Guitars [Flat-Picked] : Doc & Merle Watson.
08. Miss The Mississippi & You (written by William H. Heagney aka Bill Halley, not to be mixed up with rock'n'roll musician Bill Haley). Bass : T. Michael Coleman - Guitar, Vocals : Doc Watson - Slide Guitar : Merle Watson.
09. Nine Pound Hammer (arranged by Doc Watson). Bass : T. Michael Coleman - Guitar [Fingerstyle] : Merle Watson - Guitar [Fingerstyle], Vocals : Doc Watson.
10. Summertime (written by DuBose Edwin Heyward and George & Ira Gershwin). Bass : T. Michael Coleman - Guitar, Vocals : Doc Watson - Lead Guitar : Merle Watson.
11. New River Train (arranged by Doc Watson). Banjo : Merle Watson - Bass, Vocals : T. Michael Coleman - Lead Guitar, Vocals : Doc Watson - Piano, Vocals : Bob Hill - Rhythm Guitar, Vocals : Joe Smothers.
12. Black Mountain Rag (arranged by Doc Watson) : Bass : T. Michael Coleman - Guitar [Flat-Picked] : Doc Watson - Guitar [Gut-String] : Bob Hill - Rhythm Guitar, Vocals : Joe Smothers - Slide Guitar : Merle Watson.
13. Southern Lady (written by R. L. Hill aka Bob Hill). Bass : T. Michael Coleman - Guitar [Second] : Doc Watson - Guitar, Lead Vocals : Bob Hill - Lead Guitar : Merle Watson - Rhythm Guitar, Vocals : Joe Smothers.
14. Mama Don't Allow (written by Charles Edward Davenport & Sammy Cahn). Bass : T. Michael Coleman - Guitar [Gut-String] : Bob Hill - Guitar, Vocals : Doc Watson - Slide Guitar : Merle Watson - Washboard : Joe Smothers.
15. Blue Suede Shoes (written by Carl Perkins). Bass, Vocals : T. Michael Coleman - Guitar, Vocals : Doc Watson - Piano, Vocals : Bob Hill - Rhythm Guitar, Vocals : Joe Smothers - Slide Guitar : Merle Watson.
16. Wayfaring Stranger (arranged by Doc Watson). Bass : T. Michael Coleman - Guitar, Vocals : Doc Watson - Lead Guitar : Merle Watson.
17. Thoughts Of Never (written by Eddy Merle Watson). Guitar [Gut-String] : Merle Watson - Piano : Charles Cochran.

- Album concept : Rosalee Watson (Doc's wife).

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Producer : T. Michael Coleman.

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Recorded live between 1970 and 1976 in Bogalusa (Louisiana), Minneapolis (Minnesota), San Francisco (California), St. Louis (Missouri) and Winston-Salem (North Carolina).





A walk through the Merle Watson Memorial "Garden for the Senses" in Wilkesboro (North Carolina)







 

 

 

 


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